Timeroom: Fall 2020

Displaying 1 - 10 of 11 Results for: Subject = ARTH

ARTH 400 (01) - Topics in Art History

Top/Portraiture

Credits: 4.0
Term: Fall 2020 - Full Term (08/31/2020 - 12/14/2020)
Class Size:   35  
CRN: 16381
Art History will be presented thematically. At least three distinct chronological periods will be treated; students will develop research skills and give oral presentations. Topics will vary: "Art Writers: Their Sources and Their Effects;" "Rome from Romulus to the Fascists;" "Cults of the Original and Cultures of the Copy." Repeatable up to a maximum of 12 credits with different topics. May count towards Architectural Studies Minor if papers take the appropriate emphasis.
Repeat Rule: May be repeated for a maximum of 12 credits.
Equivalent(s): ARTS 400
Attributes: Writing Intensive Course, Fine&PerformingArts(Discovery)
Instructors: Hyewon Yoon
Start Date End Date Days Time Location
8/31/2020 12/14/2020 MWF 2:10pm - 3:00pm PCAC A204
Additional Course Details: 

The topic for Fall 2020 will be on "Portraiture."

ARTH 444C (H01) - Seeing Gender: Feminist Art and Visual Culture

Honors/Seeing Gender

Credits: 4.0
Term: Fall 2020 - Full Term (08/31/2020 - 12/14/2020)
Class Size:   20  
CRN: 16382
What is the role of visual culture in our understanding of sex, gender and sexuality? What role do the history of art, art and film criticism, and philosophical aesthetics play in the creation, interpretation, and appreciation of feminist art? Through close analysis of key artworks, primary sources, and theoretical and literary texts, as well as discussion and writing, this course will explore topics including gender norms, the gaze, patriarchal/stake violence, transgender theory, and global feminism.
Equivalent(s): ARTS 444C
Only the following students: Honors Program
Attributes: Honors course, Fine&PerformingArts(Discovery)
Instructors: Hyewon Yoon
Start Date End Date Days Time Location
8/31/2020 12/14/2020 MWF 1:10pm - 2:00pm PCAC A204

ARTH 480 (01) - Introduction to Art History

Introduction to Art History

Credits: 4.0
Term: Fall 2020 - Full Term (08/31/2020 - 12/14/2020)
Class Size:   50  
CRN: 16383
Analysis of the central forms and meanings of art history through intensive study of selected artists and monuments. Includes works of architecture, sculpture, painting, and the graphic arts. Topics will vary but might include the Parthenon, Chartres Cathedral, Michelangelo's Sistine Chapel ceiling. Rembrandt's self-portraits, Monet's landscapes, Picasso's Guernica, Frank Lloyd Wright's Falling water, Georgia O'Keeffe's abstractions, ukiyo-e prints, and Benin sculpture.
Equivalent(s): ARTS 480
Attributes: Fine&PerformingArts(Discovery)
Instructors: Hyewon Yoon
Start Date End Date Days Time Location
8/31/2020 12/14/2020 MWF 11:10am - 12:00pm PCAC A218
Additional Course Details: 

Painting, sculpture, and architecture, among other forms of art, will be introduced, mostly confined to the western tradition, from ancient times to the present.  The historical context, including social, political, economic, and technical factors, will be considered in relation to the making and critiquing of cultural traditions.  Students will learn the foundations of visual language; the course also prepares them for intermediate-level art history courses. Visits to local museums are encouraged.

ARTH 480 (02) - Introduction to Art History

Introduction to Art History

Credits: 4.0
Term: Fall 2020 - Full Term (08/31/2020 - 12/14/2020)
Class Size:   50  
CRN: 16384
Analysis of the central forms and meanings of art history through intensive study of selected artists and monuments. Includes works of architecture, sculpture, painting, and the graphic arts. Topics will vary but might include the Parthenon, Chartres Cathedral, Michelangelo's Sistine Chapel ceiling. Rembrandt's self-portraits, Monet's landscapes, Picasso's Guernica, Frank Lloyd Wright's Falling water, Georgia O'Keeffe's abstractions, ukiyo-e prints, and Benin sculpture.
Equivalent(s): ARTS 480
Attributes: Fine&PerformingArts(Discovery)
Instructors: Susan Wager
Start Date End Date Days Time Location
8/31/2020 12/14/2020 MW 2:10pm - 3:30pm PCAC A218
Additional Course Details: 

Painting, sculpture, and architecture, among other forms of art, will be introduced, mostly confined to the western tradition, from ancient times to the present.  The historical context, including social, political, economic, and technical factors, will be considered in relation to the making and critiquing of cultural traditions.  Students will learn the foundations of visual language; the course also prepares them for intermediate-level art history courses. Visits to local museums are encouraged.

ARTH 480 (03) - Introduction to Art History

Introduction to Art History

Credits: 4.0
Term: Fall 2020 - Full Term (08/31/2020 - 12/14/2020)
Class Size:   50  
CRN: 16385
Analysis of the central forms and meanings of art history through intensive study of selected artists and monuments. Includes works of architecture, sculpture, painting, and the graphic arts. Topics will vary but might include the Parthenon, Chartres Cathedral, Michelangelo's Sistine Chapel ceiling. Rembrandt's self-portraits, Monet's landscapes, Picasso's Guernica, Frank Lloyd Wright's Falling water, Georgia O'Keeffe's abstractions, ukiyo-e prints, and Benin sculpture.
Equivalent(s): ARTS 480
Attributes: Fine&PerformingArts(Discovery)
Instructors: Patricia Emison
Start Date End Date Days Time Location
8/31/2020 12/14/2020 TR 3:40pm - 5:00pm PCAC A218
Additional Course Details: 

Painting, sculpture, and architecture, among other forms of art, will be introduced, mostly confined to the western tradition, from ancient times to the present.  The historical context, including social, political, economic, and technical factors, will be considered in relation to the making and critiquing of cultural traditions.  Students will learn the foundations of visual language; the course also prepares them for intermediate-level art history courses. Visits to local museums are encouraged.

ARTH 480 (04) - Introduction to Art History

Introduction to Art History

Credits: 4.0
Term: Fall 2020 - Full Term (08/31/2020 - 12/14/2020)
Class Size:   21  
CRN: 17297
Analysis of the central forms and meanings of art history through intensive study of selected artists and monuments. Includes works of architecture, sculpture, painting, and the graphic arts. Topics will vary but might include the Parthenon, Chartres Cathedral, Michelangelo's Sistine Chapel ceiling. Rembrandt's self-portraits, Monet's landscapes, Picasso's Guernica, Frank Lloyd Wright's Falling water, Georgia O'Keeffe's abstractions, ukiyo-e prints, and Benin sculpture.
Equivalent(s): ARTS 480
Attributes: Fine&PerformingArts(Discovery)
Instructors: Susan Wager
Start Date End Date Days Time Location
8/31/2020 12/14/2020 MW 9:40am - 11:00am PCAC A204

ARTH 480 (M1) - Introduction to Art History

Introduction to Art History

Credits: 4.0
Term: Fall 2020 - UNHM Credit (15 weeks) (08/31/2020 - 12/14/2020)
Class Size:   25  
CRN: 16829
Analysis of the central forms and meanings of art history through intensive study of selected artists and monuments. Includes works of architecture, sculpture, painting, and the graphic arts. Topics will vary but might include the Parthenon, Chartres Cathedral, Michelangelo's Sistine Chapel ceiling. Rembrandt's self-portraits, Monet's landscapes, Picasso's Guernica, Frank Lloyd Wright's Falling water, Georgia O'Keeffe's abstractions, ukiyo-e prints, and Benin sculpture.
Equivalent(s): ARTS 480
Attributes: Fine&PerformingArts(Discovery)
Instructors: Stacey Vellante
Start Date End Date Days Time Location
8/31/2020 12/14/2020 F 9:01am - 11:50am PANDRA P101

ARTH 600 (01) - Internship in Art History

Internship in Art History

Credits: 1.0 to 4.0
Term: Fall 2020 - Full Term (08/31/2020 - 12/14/2020)
Class Size:   5  
CRN: 17069
Elective only. Cannot be used to fulfill art history requirements. May be repeated up to 8 credits. Prereq: permission.
You must sign up in the Dept Office before registering through WEBCAT.
Repeat Rule: May be repeated for a maximum of 8 credits.
Equivalent(s): ARTS 600
Instructors: STAFF
Start Date End Date Days Time Location
8/31/2020 12/14/2020 Hours Arranged TBA

ARTH 695 (01) - Topics in Art History

Top/Etruscan Art&PreRoman Ital

Credits: 4.0
Term: Fall 2020 - Full Term (08/31/2020 - 12/14/2020)
Class Size:   35  
CRN: 16591
Topics and prerequisites to be announces before registration. May be repeatable twice with different topics. Prereq: one 400- or 500-level art history course; or instructor permission.
Repeat Rule: May be repeated for a maximum of 8 credits.
Equivalent(s): ARTS 695
Attributes: Writing Intensive Course
Instructors: Ivo Van der Graaff
Start Date End Date Days Time Location
8/31/2020 12/14/2020 MW 3:10pm - 4:30pm PCAC A204
Additional Course Details: 

Art and Architecture of Etruscan and Pre-Roman Italy

Before Rome acquired its empire it would encounter a mosaic of cultures on the Italian peninsula—Etruscans, Latins, Greeks, Phoenicians, Celts, Samnites, and others. Mutual interactions would come together to develop new material and visual cultures. This course examines the cross-cultural interaction that would shape the Roman Republic until the advent of empire under Augustus. Our aim is to understand how this blend of peoples influenced Rome as it would come to dominate the Mediterranean.

 

ARTH 695 (02) - Topics in Art History

Top in Art Hist/ Prints & Film

Credits: 4.0
Term: Fall 2020 - Full Term (08/31/2020 - 12/14/2020)
Class Size:   30  
CRN: 16592
Topics and prerequisites to be announces before registration. May be repeatable twice with different topics. Prereq: one 400- or 500-level art history course; or instructor permission.
Repeat Rule: May be repeated for a maximum of 8 credits.
Equivalent(s): ARTS 695
Attributes: Writing Intensive Course
Instructors: Patricia Emison
Start Date End Date Days Time Location
8/31/2020 12/14/2020 TR 5:20pm - 6:40pm PCAC A204
Additional Course Details: 

                       Prints and Film  

                                     695 image      movie clip              

Focusing particularly on Renaissance and Baroque prints as well as black and white films of the 1920s-60s, we will examine how artists exploited monochromaticity to achieve a wide range of visual and expressive effects. Given that naturalism and, specifically, convincing coloring were often cited as measures of artistic success, how did both artists and the public adjust to popular media in which what they saw mimicked so imperfectly the real world?  What did accepting a surrogate black and white world entail for how theorists conceptualized the task of artists?  Why did filmmakers care about Rembrandt?