ENGL 616B (01) - Studies in Film/Authorship

Studies in Film/Authorship

Durham   Liberal Arts :: English
Credits: 4.0
Term: Fall 2023 - Full Term (08/28/2023 - 12/11/2023)
Grade Mode: Letter Grading
Class Size:   25  
CRN: 15407
Advanced, focused study of the narrative, dramatic, and poetic practices of cinema, within one of four possible subject areas: A) Genre; B) Authorship; C) Culture and Ideology; D) Narrative and Style. Precise issues and methods may vary, ranging from general and specific considerations of how a given subject area involves film theory, criticism, and history, to its use in diverse analyses of selected national cinemas, periods, movements, and filmmakers. May be repeated for credit barring duplication of topic. Barring duplication of material taken for credit in CMN 650, course may be repeated for credit. Detailed course descriptions available in the English department office.
Section Comments: Special Topic: Thriller Films
Registration Approval Required. Contact Instructor or Academic Department for permission then register through Webcat.
Repeat Rule: May be repeated up to unlimited times.
Equivalent(s): AMST 605, ENGL 616
Attributes: Writing Intensive Course
Instructors: Matthias Konzett

Times & Locations

Start Date End Date Days Time Location
8/28/2023 12/11/2023 TR 3:40pm - 5:00pm HS G35
Additional Course Details: 

Catching The Tube - James Bond, Skyfall GIF - James Bond Skyfall Daniel  Craig - Discover & Share GIFs

This course examines the narrative structure of the thriller made famous in the cinema of Alfred Hitchcock. How does suspense function in various thrillers following in the vein of Hitchcock and its updated versions in recent cinema?  How do characters regain control and authorship in narratives that place them radically at a loss of control? Looking at subgenres such as the spy, conspiracy, crime, legal, psychological, action, and sci-fi thriller, we will try to understand the multifaceted possibilities of thrillers to confront audiences with a sense of loss of power, of larger and mysterious forces of history determining the fate of the individual, while also assuring them of their powerful position as spectators observing protagonists engaged in uninvited conflicts and struggles for survival. We will also ask how recent thrillers accommodate the expression of identity such as class, race, gender, and nationality as well as their intersectionality. Filmmakers in addition to Hitchcock (North by Northwest) will include David Fincher (Girl with the Dragon Tattoo), Christopher Nolan (Memento), Joanthan Demme (The Silence of the Lambs), Michael Mann (Collateral), Sam Mendes (Skyfall), and Coen Brothers (No Country for Old Men). This course requires intensive use of Canvas.